Oh Fail, You Beauty (2015)
25 February 2015
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Study for Flower [1] (from “A Song of Nature, Part 1″), 2014, pigment print, 80×60 cm

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Typical Alpine Flora at the Hochschwab Area (from “Beholding Mountains (working title)”), 2014, pigment print, 90 × 60 cm

SOLO VI: Thomas Albdorf
Oh Fail, You Beauty
from 2015 / 02 / 16 to 2015 / 03 / 21
Fotogalerie Wien, Vienna / Austria

Given the pervasive influence that photography has on our social landscape, it is no surprise that artists have taken the opportunity to fundamentally reconsider those terms by which the medium operates. One of the clearest responses has been a “sculptural” one, that is to say, an examination of material properties and the work of Thomas Albdorf fits comfortably within this rubric, though without being entirely confined to it. Indeed, to assert that this work is concerned with photography is perhaps to define it too narrowly. Although his most immediate subject is undoubtedly photographic, this does not mean that Albdorf is engaged in a debate about what photography can be in and of itself. This is merely where the work begins, not some essential definition of what photography is as a medium, but rather a set of propositions aimed at discerning how photographs act – that is to say, what they do, as photographs. It seems that the most significant concern for Albdorf is to expose the mechanisms of representation by using them in a reflexive or even contradictory manner. His diverse approach is ideally situated to untangle the mesh of possibilities that define photography as a medium – and which, in turn, determine how it is used. This work poses the question of what, if anything, we might find outside the conventional “limits” of the image.

Darren Campion, 2014

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Twiner, 2014, 50 × 40 cm / Evelyn Shaking a Bottle of Water, 2013, 45 × 30 cm

 

 

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Summit Cross at the Schneeberg (from “Beholding Mountains (working title)”), 2014, pigment print, 115 × 80 cm

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Midday at the Klinser Waterfall [1&2] (from “Beholding Mountains (working title)”), 2014, pigment prints, 50 × 40 cm

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Midday at the Klinser Waterfall [3 & 4] (from “Beholding Mountains (working title)”), 2014, pigment prints, 85 × 59 cm

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Fresh Snow during Summer at the Rappenseehütte, (from “Beholding Mountains (working title)”), 2014, pigment print, 105 × 80 cm

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The Path is Marked (from “Beholding Mountains (working title)”), 2014, pigment prints, various sizes

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Focus Test (from “Beholding Mountains (working title)”), 2014, pigment print, 105 × 80 cm

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Dusk and Dawn (from “Beholding Mountains (working title)”), 2014, pigment prints, various sizes

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Styrofoam [1&2 ] and Study for Sea at Night (after Gursky?), 2014, pigment prints, various sizes

 
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